In scenarios inhabited by faceless figures and still lifes, Sebastian questions the very nature of human behavior and habits. Drawing from personal experiences, film, music, and the life stories of others, he constructs ambiguous scenes that range from the absurd and the intriguing to the everyday, the uncertain, or the ritualistic. The absence of a face renders each character everyone and, at the same time, no one, while the objects in each tableau are juxtaposed to create unexpected connections among them. Described as “unusual characters in unusual situations,” each painted scene explores the nature of human behavior within social, familial, personal, and spiritual realms, like photographs from a family album or fragments of a film that never comes to an end.